Andy Muschietti’s The Flash is a movie with real heart — but every time the conversation comes up, he can’t stop defending the one part everyone knows failed: the visuals. No one doubts his passion or the performances that carried the film, but the CGI was a mess then, and it’s even harder to ignore now. Pride’s one thing. Denial’s another.
The Biggest Threat to the DCU Right Now Is James Gunn’s Mouth
James Gunn has built his brand on being the straight-talking, fan-friendly filmmaker who tells it like it is. But after the Peacemaker finale and his constant attempts to control the DCU narrative, that honesty is starting to look more like ego. He’s overhyping, underdelivering, and arguing with fans when he should be letting the work speak for itself. The best thing James Gunn could do right now? Stop talking.
Zack Cregger Promises Lore-Faithful Resident Evil Without the Actual Story
Zack Cregger, director of Barbarian and Weapons, is taking on Resident Evil—but he’s leaving Leon, Jill, and the other core game characters on the bench. While he promises the movie will respect the lore and serve as a “love letter” to the franchise, fans have heard that pitch before from past failed adaptations. After decades of misfires, Cregger’s choice to tell an entirely new story is a bold gamble that could either revitalize the series or become just another missed opportunity in a long list of them.
Cameron Blasts Nolan for Sanitizing Nuclear Horror
James Cameron says Nolan’s Oppenheimer skipped the real horror: Hiroshima. Calling it a “moral cop-out,” Cameron promises Ghosts of Hiroshima will show what the IMAX epic didn’t—full nuclear devastation, no filters.
James Gunn Is Half-Right About Why Movies Are Dying
James Gunn says the movie industry is dying because studios keep filming without finished scripts—but that’s only half the story. From improv-heavy classics like Iron Man to the rising cost of a single IMAX ticket, the real problem runs deeper than screenplays. It's about value, spontaneity, and a film culture that's pricing itself into irrelevance.
Superman Fans Beg for Silence—But Isn’t That What They Hated About WB?
As excitement builds for James Gunn’s Superman trailer, some fans are trying to shut down criticism before the footage even drops—circulating memes that encourage total silence toward “negative” opinions. But this kind of toxic positivity isn’t harmless; it’s just another way of policing fandom discourse. When fans are told to “just consume and obey,” we stop being part of a conversation and start acting like unpaid brand ambassadors. Superman deserves better than blind loyalty.
What Danny McBride Gets About Movie Theaters That Hollywood Doesn’t
Danny McBride isn’t wrong: movie theaters aren’t dead, but the experience is in trouble. From neglected screens to bad audience behavior, the biggest threat to cinema isn’t streaming—it’s what happens inside the theater. But April’s box office boom proves people still care. So what now?
Stop Comparing “Sinners” to Tarantino’s Movie — It’s Not 2019 Anymore
There’s this weird obsession online right now with dragging The New York Times over its coverage of Sinners—Ryan Coogler’s Southern Gothic horror epic that just opened at number one with a $48 million domestic haul. People are pissed that the Times called it a “box office success (with a big asterisk)” and then launched into … Continue reading Stop Comparing “Sinners” to Tarantino’s Movie — It’s Not 2019 Anymore
Hollywood After Dark 