OpenAI’s Sora 2 isn’t a creative breakthrough—it’s a calculated flood. By releasing an endless stream of copyright-blurring AI videos, the company isn’t challenging Hollywood’s rules so much as burying them. The strategy is simple: overwhelm the system, exhaust enforcement, and redefine ownership by default.
Critterz Is Toy Story for the AI Era — and That’s a Good Thing
Critterz isn’t a threat to art — it’s proof that the tools don’t matter as much as the story you tell. Made in nine months with a $30 million budget, this AI-powered animated feature could be the Toy Story moment of our time. Don’t fear AI in film. Embrace it, because when it works, it proves the only thing that matters is whether a story makes you feel something.
AI Art Is “An Insult to Life”… Unless It’s Selling Out Ghibli Films in IMAX
When Princess Mononoke hit IMAX screens in a new 4K restoration, it felt like a gift. A chance to see one of Studio Ghibli’s greatest achievements the way it was always meant to be experienced: big, loud, and breathtaking. And despite only playing in a limited number of theaters, it crushed expectations, pulling in over … Continue reading AI Art Is “An Insult to Life”… Unless It’s Selling Out Ghibli Films in IMAX
Hollywood After Dark 