James Gunn has built his brand on being the straight-talking, fan-friendly filmmaker who tells it like it is. But after the Peacemaker finale and his constant attempts to control the DCU narrative, that honesty is starting to look more like ego. He’s overhyping, underdelivering, and arguing with fans when he should be letting the work speak for itself. The best thing James Gunn could do right now? Stop talking.
Why Matt Reeves’ Expanding Batman Saga Needs to Merge With James Gunn’s DCU
Matt Reeves is busy expanding his Gotham empire with The Batman Part II, The Penguin season two, and more villain spinoffs. James Gunn insists it’ll never touch the DCU, but the math doesn’t add up. Audiences want clarity, executives want streamlining, and Gunn already cracked the multiverse door with Peacemaker. Sooner or later, these worlds are colliding — the only question is whether it happens on Reeves’ and Gunn’s terms, or in a boardroom mandate.
Superman won the battle – Man of Steel won the war
Superman 2025 made smarter money moves, but Man of Steel still stands taller in the long run. Profit margins may win a battle, but home video, licensing, and timing made Snyder’s film the real financial heavyweight.
Why Fans Shouldn’t Trust Scoop Culture—or James Gunn
James Gunn says Robin isn’t showing up in The Batman Part II, but fans should know better than to take that at face value. The rumor came from scooper Jeff Sneider, whose track record is mixed, but Gunn—now a studio co-head—has every reason to mislead when it comes to protecting a film’s secrets. In the world of scoop culture, half-truths and strategic denials are part of the game, and until we see set photos or a trailer, nobody outside the production really knows what’s true.
Carano’s “Future”? + Toxic Film Talk + Don’t Trust James Gunn | HWAD 08.10.25
In this episode of Hollywood After Dark, we break down Gina Carano’s surprise settlement with Disney, why movie talk is drowning in toxic positivity and fan tribalism, and why trusting James Gunn’s denials is a rookie mistake.
James Gunn Gave Us Superman. It’s Time to Give Us Closure.
Superman’s box office win marks a new beginning for DC Studios, but it’s also the perfect moment to right some old wrongs. The Ayer Cut, the Schumacher Cut, and Batgirl are all finished or nearly done — and fans deserve to see them. In a world where audiences are used to getting burned, offering closure would be a rare and powerful move.
What Happened to the Krypto Golden Biscuit Winners? Nothing.
The Krypto Golden Biscuit Sweepstakes was supposed to be a charming throwback. Instead, it vanished without a winner, a whisper, or a second thought. With odds that bordered on absurd and a prize nobody seems to have claimed, the whole thing feels like a marketing stunt that never understood its audience — or its timing.
Why the “Woke Superman” Outrage Is Completely Made Up
The backlash against James Gunn’s Superman isn’t about the movie — it’s about content. Critics are calling it “woke” because Clark Kent dares to be kind, thoughtful, and human. There’s no agenda here, just a character trying to be good in a world where being good is complicated. And that, apparently, is enough to set the internet on fire.
The Rock Tried to Hijack the DC Universe — And Lost
Dwayne “The Rock” Johnson thought Black Adam would be his ticket to running the DC Universe — complete with Henry Cavill, power lunches, and a potential executive role for his producing partner. But when the global box office fell short, Warner Bros. passed the baton to James Gunn, ending one of the boldest behind-the-scenes plays in franchise history.
Why Superman Needs to Fly Higher Than Just Ticket Sales
Superman (2025) isn’t just a reboot—it’s a stress test for the entire future of the DC Universe. With massive expectations, polarizing fan reactions, and sky-high financial pressure, the film needs to be more than just a box office hit. From inflated comparisons to Man of Steel to the unexpected merchandising push behind Krypto the Superdog, this post dives into why the movie’s real battle isn’t just on the screen—it’s for the survival of a franchise.
Hollywood After Dark 