OpenAI’s Sora 2 isn’t a creative breakthrough—it’s a calculated flood. By releasing an endless stream of copyright-blurring AI videos, the company isn’t challenging Hollywood’s rules so much as burying them. The strategy is simple: overwhelm the system, exhaust enforcement, and redefine ownership by default.
How Hideo Kojima Learned to Stop Worrying and Love the Algorithm
Hideo Kojima, the man who once warned us about the dangers of algorithmic control, now calls artificial intelligence a “friend.” It’s not a sellout—it’s evolution. In a year when Hollywood’s fear of AI is finally cooling, Kojima’s new stance signals that the conversation has moved beyond panic. He’s not rejecting the future; he’s learning how to shape it.
The Biggest Threat to the DCU Right Now Is James Gunn’s Mouth
James Gunn has built his brand on being the straight-talking, fan-friendly filmmaker who tells it like it is. But after the Peacemaker finale and his constant attempts to control the DCU narrative, that honesty is starting to look more like ego. He’s overhyping, underdelivering, and arguing with fans when he should be letting the work speak for itself. The best thing James Gunn could do right now? Stop talking.
Tilly Norwood: Star of Tomorrow or Just a Pitch Deck in Drag?
Hollywood’s latest experiment is an AI “actress” named Tilly Norwood — hyped as the first digital starlet who could rival human talent. But beyond the headlines, her résumé is a two-minute sketch with six words of dialogue. AI has a future in film, especially in VFX, but right now Tilly looks less like a breakthrough and more like a pitch designed to impress investors.
Hollywood Just Spent $3 Million on a Harry Potter Fanfic. No, Really.
Hollywood just spent $3 million on a Harry Potter fanfic dressed up as an “original” novel, while Warner Bros. is busy rebooting Potter with J.K. Rowling baggage and casting controversies. Alchemised might be a rebranded Dramione fic, but it’s got the hype, the BookTok backing, and now the big-screen deal to prove fandom has officially eaten the industry alive.
Universal Finally Admits the Fast Saga Jumped the Shark
The Fast & Furious saga has pulled off tanks, skyscraper jumps, and billion-dollar heists. But when F9 strapped a Pontiac to a rocket and went to space, the franchise finally hit a wall. Even Universal’s Donna Langley now admits it was a misstep. With Fast X: Part 2 aiming to return to Los Angeles and its street-racing roots, the question is simple: can the finale bring this $7 billion beast back down to Earth?
Why the Terminator Creator Can’t Write Terminator Anymore
James Cameron says AI is making it too hard to write a new Terminator script — which is rich, considering he’s literally on the board of an AI company. The man who made Skynet a household name is now bored with Skynet because he’s seen how the sausage is made. The problem isn’t the tech. It’s that Cameron’s too busy staring at the machine to remember why we were scared of it in the first place.
Why Gina Carano’s “Win” Over Disney Is Pure Culture War Theater
Gina Carano’s lawsuit against Disney is over, but it’s not the decisive victory her fans are cheering about. She walked away with $750,000, no admission of wrongdoing from Disney, and a vague “future opportunities” line that’s more PR than promise. The settlement lifts her Hollywood freeze, but it won’t erase four years of baggage — or the fact she let herself become a pawn in the culture war machine that will turn on her the second she steps back into mainstream work.
James Gunn Is Half-Right About Why Movies Are Dying
James Gunn says the movie industry is dying because studios keep filming without finished scripts—but that’s only half the story. From improv-heavy classics like Iron Man to the rising cost of a single IMAX ticket, the real problem runs deeper than screenplays. It's about value, spontaneity, and a film culture that's pricing itself into irrelevance.
Forget Film School—Just Finish Something and Hit Publish
I made a $500 feature film in two days and moved to L.A. to chase the screenwriting dream—15 years later, I'm still learning that the real way in isn't through scripts, it's through stories people can hear.
Hollywood After Dark 