Ryan Coogler’s Sinners is being sold as a horror film, but let’s not kid ourselves — it isn’t. Horror is supposed to terrify, to drip with dread, to make you feel unsafe. Sinners never gets there. The vampires are polite, the finale swerves into a Tarantino-style shootout with the KKK, and along the way the script spends more time joking about oral sex than it does building fear. Domestically, it’s a box office hit with nearly $280 million, but overseas it fizzled. Because here’s the truth: Sinners isn’t horror. It’s a gothic-flavored drama that mistakes style and sex talk for scares.
Why Are We Harassing Actors Over Fanfiction?
Fandom used to be about love for stories—now it’s about ownership. From Spider-Verse shipping drama to real-world harassment, some fans have crossed a line, turning obsession into cruelty. It’s time we talk about the cost of confusing fiction with reality.
Why Hollywood Is Sweating Over Sinners Before It Even Opens
Ryan Coogler’s Sinners hasn’t even opened yet, and the knives are already out. Not from critics—those folks are lining up with glowing reviews and a 99% Rotten Tomatoes score to prove it—but from within the very system that greenlit the movie in the first place. The word on the street is that Sinners needs to … Continue reading Why Hollywood Is Sweating Over Sinners Before It Even Opens
Hollywood After Dark 