It’s been eleven years since Robin Williams left us, and the gap he left behind hasn’t closed one bit. From the joy he brought on stage and screen to the heartbreaking truth about the illness that took him, his loss still stings. And yeah, maybe somewhere out there he’s pulling a Little Nicky and making Hitler sit on a pineapple — because that’s exactly the kind of cosmic joke he’d run with.
Why Gina Carano’s “Win” Over Disney Is Pure Culture War Theater
Gina Carano’s lawsuit against Disney is over, but it’s not the decisive victory her fans are cheering about. She walked away with $750,000, no admission of wrongdoing from Disney, and a vague “future opportunities” line that’s more PR than promise. The settlement lifts her Hollywood freeze, but it won’t erase four years of baggage — or the fact she let herself become a pawn in the culture war machine that will turn on her the second she steps back into mainstream work.
This Is Why Inflation-Adjusted Box Office Is a Joke
Everyone loves to say Gone with the Wind is still the box office king—if you "adjust for inflation." But here’s the truth: that argument falls apart the second you look at how movies are actually released, watched, and monetized. Inflation doesn’t make numbers more accurate. It just makes them easier to manipulate. This post breaks down why it’s a myth that needs to die.
Jurassic World Rebirth: A Messy Start, a Thrilling Finish
There’s something inherently magical about watching dinosaurs on the big screen. From the moment the first Jurassic Park film roared into theaters in 1993, audiences have been captivated by the blend of science, spectacle, and survival. With Jurassic World Rebirth, director Gareth Edwards (Rogue One, Godzilla) brings a fresh perspective to the long-running franchise—one that … Continue reading Jurassic World Rebirth: A Messy Start, a Thrilling Finish
Spielberg Won’t Retire, Superman Feels Off, and Villeneuve Gets Dragged | HWAD 06.29.25
It’s another loaded episode of Hollywood After Dark, and this one’s got range—from living legends refusing to quit to billion-dollar franchises fumbling their tone. Here’s a breakdown of everything we covered in the June 29th episode: Mark Hamill’s Luke Skywalker Headcanon Hits HardNearly eight years after The Last Jedi, Mark Hamill is still having to … Continue reading Spielberg Won’t Retire, Superman Feels Off, and Villeneuve Gets Dragged | HWAD 06.29.25
James Bond’s Future Looks Shaky—Even With Villeneuve
Denis Villeneuve will direct the next James Bond film under Amazon MGM—but without final cut and only for one movie. With prestige producers onboard and no confirmed Bond actor yet, the future of 007 could go either way.
James Gunn Is Half-Right About Why Movies Are Dying
James Gunn says the movie industry is dying because studios keep filming without finished scripts—but that’s only half the story. From improv-heavy classics like Iron Man to the rising cost of a single IMAX ticket, the real problem runs deeper than screenplays. It's about value, spontaneity, and a film culture that's pricing itself into irrelevance.
Dan Trachtenberg Just Revived Predator Again—But This Time, It’s Animated
Spoiler Warning: This review contains full spoilers for Predator: Killer of Killers, including major plot details, the anthology structure, and the surprise ending. If you haven’t watched it yet, consider this your official heads-up—because we’re diving deep into why this animated bloodbath absolutely delivers.
IMAX Ghosted Jurassic World: Rebirth — Let’s Talk About Why
Jurassic World: Rebirth is skipping IMAX, and it’s not just a scheduling fluke — it’s a signal. In 2025, if you’re not filming for the format, you’re not getting the format. What used to be a guaranteed spectacle has become a litmus test for effort — and this dino reboot didn’t make the cut.
The $500M Weekend That Proves Theaters Aren’t Dead—They’ve Evolved
Half a billion dollars in one weekend. Not bad for an industry everyone keeps insisting is dying. But the real story isn’t just the money—it’s how theaters are transforming into premium-first, event-driven experiences. From Sinners to Stitch, audiences are choosing spectacle, scale, and nostalgia over originality—and studios are more than happy to oblige.
Hollywood After Dark 