Andy Muschietti’s The Flash is a movie with real heart — but every time the conversation comes up, he can’t stop defending the one part everyone knows failed: the visuals. No one doubts his passion or the performances that carried the film, but the CGI was a mess then, and it’s even harder to ignore now. Pride’s one thing. Denial’s another.
Tilly Norwood: Star of Tomorrow or Just a Pitch Deck in Drag?
Hollywood’s latest experiment is an AI “actress” named Tilly Norwood — hyped as the first digital starlet who could rival human talent. But beyond the headlines, her résumé is a two-minute sketch with six words of dialogue. AI has a future in film, especially in VFX, but right now Tilly looks less like a breakthrough and more like a pitch designed to impress investors.
Why Superman Needs to Fly Higher Than Just Ticket Sales
Superman (2025) isn’t just a reboot—it’s a stress test for the entire future of the DC Universe. With massive expectations, polarizing fan reactions, and sky-high financial pressure, the film needs to be more than just a box office hit. From inflated comparisons to Man of Steel to the unexpected merchandising push behind Krypto the Superdog, this post dives into why the movie’s real battle isn’t just on the screen—it’s for the survival of a franchise.
Jurassic World Rebirth: A Messy Start, a Thrilling Finish
There’s something inherently magical about watching dinosaurs on the big screen. From the moment the first Jurassic Park film roared into theaters in 1993, audiences have been captivated by the blend of science, spectacle, and survival. With Jurassic World Rebirth, director Gareth Edwards (Rogue One, Godzilla) brings a fresh perspective to the long-running franchise—one that … Continue reading Jurassic World Rebirth: A Messy Start, a Thrilling Finish
Hollywood After Dark 