ABC’s decision to pull Jimmy Kimmel Live! indefinitely isn’t about “standards” or “sensitivity.” It’s about power. It’s about Donald Trump’s fragile ego, corporate greed, and a media empire that would rather protect mergers than defend free speech. Jimmy Kimmel didn’t celebrate Charlie Kirk’s death—he did what he’s been doing since 2015: calling out MAGA hypocrisy. For that, he’s been gagged. And ABC, Disney, Nexstar, and Sinclair all rolled over without a fight.
Andor Proves Star Wars is NOT for Kids Anymore (And That’s a Good Thing)
Forget lightsabers and chosen ones—Andor proves Star Wars isn't just for kids anymore. This gripping prequel throws out the nostalgia bait and delivers a bleak, brilliant take on rebellion, radicalization, and resistance. And it might just be the most grown-up thing the galaxy has ever produced.
Dan Trachtenberg Just Revived Predator Again—But This Time, It’s Animated
Spoiler Warning: This review contains full spoilers for Predator: Killer of Killers, including major plot details, the anthology structure, and the surprise ending. If you haven’t watched it yet, consider this your official heads-up—because we’re diving deep into why this animated bloodbath absolutely delivers.
Don’t Look Up: What Andor Gets Right That Superman Still Doesn’t
In a single day, Andor gave us a raw, defiant finale while Superman offered polished nostalgia. One challenges us to fight back against power. The other asks us to wait for someone stronger to save us. But in 2025, maybe it’s time we stop looking up—and start looking around.
Marvel Wants to Simplify the MCU—But That’s Exactly the Problem
Seventeen years after Iron Man launched the MCU, Marvel is scaling back—but is simplicity really the answer? Fans don’t mind doing the homework if it means building toward something meaningful. The real issue isn’t too much content—it’s too little payoff.
Why Movie Studios don’t care about Movie Theaters anymore
In 2024, subscription streaming services pulled in over $40 billion in U.S. consumer spending. That number absolutely dwarfs the domestic box office, which landed around $7.5 billion. For anyone still treating theatrical numbers as the end-all, it’s time to adjust your perspective. The box office isn’t the final word on a movie’s success anymore—it’s the … Continue reading Why Movie Studios don’t care about Movie Theaters anymore
More People Watched Madame Web Than Deadpool—Yes, Really
Let’s just rip the Band-Aid off: Madame Web got more views than Deadpool & Wolverine in their first couple weeks of streaming. Not in theaters—God, no—but on streaming. According to Nielsen, Madame Web pulled 16 million views on Netflix, while Deadpool & Wolverine hit 15.8 million on Disney+. And if that sounds like an alternate … Continue reading More People Watched Madame Web Than Deadpool—Yes, Really
Hollywood After Dark 