Andy Muschietti’s The Flash is a movie with real heart — but every time the conversation comes up, he can’t stop defending the one part everyone knows failed: the visuals. No one doubts his passion or the performances that carried the film, but the CGI was a mess then, and it’s even harder to ignore now. Pride’s one thing. Denial’s another.
Jim Carrey’s Jetsons Reboot Sounds Like a Future Nobody Asked For
Jim Carrey, The Jetsons, Colin Trevorrow, Warner Bros, Warner Bros Pictures, Hanna-Barbera, Hollywood Reboots, Nostalgia, Retro Futurism, Meet the Robinsons, AI in Film, Jurassic World, Movie Industry, Sci-Fi Comedy, Pop Culture, Film Commentary, Hollywood After Dark,
The Biggest Threat to the DCU Right Now Is James Gunn’s Mouth
James Gunn has built his brand on being the straight-talking, fan-friendly filmmaker who tells it like it is. But after the Peacemaker finale and his constant attempts to control the DCU narrative, that honesty is starting to look more like ego. He’s overhyping, underdelivering, and arguing with fans when he should be letting the work speak for itself. The best thing James Gunn could do right now? Stop talking.
Superman won the battle – Man of Steel won the war
Superman 2025 made smarter money moves, but Man of Steel still stands taller in the long run. Profit margins may win a battle, but home video, licensing, and timing made Snyder’s film the real financial heavyweight.
James Gunn Gave Us Superman. It’s Time to Give Us Closure.
Superman’s box office win marks a new beginning for DC Studios, but it’s also the perfect moment to right some old wrongs. The Ayer Cut, the Schumacher Cut, and Batgirl are all finished or nearly done — and fans deserve to see them. In a world where audiences are used to getting burned, offering closure would be a rare and powerful move.
What Happened to the Krypto Golden Biscuit Winners? Nothing.
The Krypto Golden Biscuit Sweepstakes was supposed to be a charming throwback. Instead, it vanished without a winner, a whisper, or a second thought. With odds that bordered on absurd and a prize nobody seems to have claimed, the whole thing feels like a marketing stunt that never understood its audience — or its timing.
Why the “Woke Superman” Outrage Is Completely Made Up
The backlash against James Gunn’s Superman isn’t about the movie — it’s about content. Critics are calling it “woke” because Clark Kent dares to be kind, thoughtful, and human. There’s no agenda here, just a character trying to be good in a world where being good is complicated. And that, apparently, is enough to set the internet on fire.
Why Superman Needs to Fly Higher Than Just Ticket Sales
Superman (2025) isn’t just a reboot—it’s a stress test for the entire future of the DC Universe. With massive expectations, polarizing fan reactions, and sky-high financial pressure, the film needs to be more than just a box office hit. From inflated comparisons to Man of Steel to the unexpected merchandising push behind Krypto the Superdog, this post dives into why the movie’s real battle isn’t just on the screen—it’s for the survival of a franchise.
Spielberg Won’t Retire, Superman Feels Off, and Villeneuve Gets Dragged | HWAD 06.29.25
It’s another loaded episode of Hollywood After Dark, and this one’s got range—from living legends refusing to quit to billion-dollar franchises fumbling their tone. Here’s a breakdown of everything we covered in the June 29th episode: Mark Hamill’s Luke Skywalker Headcanon Hits HardNearly eight years after The Last Jedi, Mark Hamill is still having to … Continue reading Spielberg Won’t Retire, Superman Feels Off, and Villeneuve Gets Dragged | HWAD 06.29.25
The Batman Part II Script Is Done—and That’s Bad for Superman
Superman is supposed to relaunch the DC Universe, but Matt Reeves just handed in his Batman Part II script—and suddenly all eyes are on Gotham again. With The Penguin thriving on HBO Max and Superman marketing falling flat, DC may be watching its flagship hero get overshadowed before he even gets off the ground.
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