Zack Cregger Promises Lore-Faithful Resident Evil Without the Actual Story

Zack Cregger, director of Barbarian and Weapons, is taking on Resident Evil—but he’s leaving Leon, Jill, and the other core game characters on the bench. While he promises the movie will respect the lore and serve as a “love letter” to the franchise, fans have heard that pitch before from past failed adaptations. After decades of misfires, Cregger’s choice to tell an entirely new story is a bold gamble that could either revitalize the series or become just another missed opportunity in a long list of them.

How Movie Talk Turned Into Fantasy Football for Film Bros

Movie talk has turned into a noisy, bad faith echo chamber where box office numbers are treated like sports scores and AI-written clickbait drowns out real discussion. The loudest, most controversial voices get rewarded, while honest, thoughtful conversation gets ignored. Media literacy hasn’t just declined—it’s been buried under SEO headlines, culture war bait, and the endless churn of empty content.

Why Gina Carano’s “Win” Over Disney Is Pure Culture War Theater

Gina Carano’s lawsuit against Disney is over, but it’s not the decisive victory her fans are cheering about. She walked away with $750,000, no admission of wrongdoing from Disney, and a vague “future opportunities” line that’s more PR than promise. The settlement lifts her Hollywood freeze, but it won’t erase four years of baggage — or the fact she let herself become a pawn in the culture war machine that will turn on her the second she steps back into mainstream work.

James Gunn Gave Us Superman. It’s Time to Give Us Closure.

Superman’s box office win marks a new beginning for DC Studios, but it’s also the perfect moment to right some old wrongs. The Ayer Cut, the Schumacher Cut, and Batgirl are all finished or nearly done — and fans deserve to see them. In a world where audiences are used to getting burned, offering closure would be a rare and powerful move.

Why the “Woke Superman” Outrage Is Completely Made Up

The backlash against James Gunn’s Superman isn’t about the movie — it’s about content. Critics are calling it “woke” because Clark Kent dares to be kind, thoughtful, and human. There’s no agenda here, just a character trying to be good in a world where being good is complicated. And that, apparently, is enough to set the internet on fire.

Why Superman Needs to Fly Higher Than Just Ticket Sales

Superman (2025) isn’t just a reboot—it’s a stress test for the entire future of the DC Universe. With massive expectations, polarizing fan reactions, and sky-high financial pressure, the film needs to be more than just a box office hit. From inflated comparisons to Man of Steel to the unexpected merchandising push behind Krypto the Superdog, this post dives into why the movie’s real battle isn’t just on the screen—it’s for the survival of a franchise.